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Trumix.com : Podcast : Arts : Unknown

American Theatre Wing - Working In The Theatre

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Language: English
Category: Arts / Unknown
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For more than 30 years the American Theatre Wing has been bringing together performers, directors, playwrights, designers, choreographers, producers and behind-the-scenes personnel from the American and international theatre, the seminars offer a rare opportunity for students and audiences to see the people who create theatre engaged in thoughtful conversation with one another. With more than 600 past guests, the seminars have become an unequalled archive of theatrical talk, a chance to hear from the people behind the characters, stories and productions that draw us to the theatre.


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Production: Master Class - April, 1996

The production team of "Master Class" -- producer Lewis Allen, producing associate Doris Blum, actress Karen Day Cody, press agent Bill Evans, casting director Alan Filderman, stage manager Dianne Trulock, and advertising representative Jim Weiner -- traces the show from its Montana workshop, to stagings in Philadelphia, L.A., and D.C., to opening in New York; how the creators, designers, and operatic cast were put together; developing the publicity and advertising campaigns including the castin...

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[ Wed, 26 Nov 2008 10:45:17 -0500 ]



Production: Master Class - April, 1996

The production team of "Master Class" -- producer Lewis Allen, producing associate Doris Blum, actress Karen Day Cody, press agent Bill Evans, casting director Alan Filderman, stage manager Dianne Trulock, and advertising representative Jim Weiner -- traces the show from its Montana workshop, to stagings in Philadelphia, L.A., and D.C., to opening in New York; how the creators, designers, and operatic cast were put together; developing the publicity and advertising campaigns including the castin...

MORE... | LISTEN | DOWNLOAD | MOBILE DEVICE

[ Wed, 26 Nov 2008 10:45:17 -0500 ]



Arias to Showstoppers: The Worlds of Opera and Theatre - November, 2008

Composer Michael John LaChiusa, and directors Diane Paulus and Stephen Wadsworth have all worked in the once mutually-exclusive worlds of opera and theatre. They share their thoughts about the nature of each of these entertainment forms, how they differ and what they share; the use of amplification and how it affects productions in both opera and theatre; the so-called "American Idol" effect on musical performers; changes in training for opera singers; the differing scale - and manner - of pay; ...

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[ Wed, 19 Nov 2008 18:51:26 -0500 ]



Arias to Showstoppers: The Worlds of Opera and Theatre - November, 2008

Composer Michael John LaChiusa, and directors Diane Paulus and Stephen Wadsworth have all worked in the once mutually-exclusive worlds of opera and theatre. They share their thoughts about the nature of each of these entertainment forms, how they differ and what they share; the use of amplification and how it affects productions in both opera and theatre; the so-called "American Idol" effect on musical performers; changes in training for opera singers; the differing scale - and manner - of pay; ...

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[ Wed, 19 Nov 2008 18:51:26 -0500 ]



Playwright, Director and Choreographer - September, 1996

The panel - director Melvin Bernhardt ("The Blues Are Running"), playwright David Henry Hwang ("Golden Child", "M. Butterfly"), composer Mary Rodgers ("Once Upon A Mattress"), playwright Nicky Silver ("Fit To Be Tied"), director David Warren ("Fit To Be Tied"), and choreographer Marlies Yearby ("Rent") - discuss how directors collaborate with playwrights, how actors may influence how a role is written, the purpose of the Society of Stage Directors and Choreographers union and Dramatists' Guild, ...

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[ Thu, 13 Nov 2008 17:49:57 -0500 ]



Playwright, Director and Choreographer - September, 1996

The panel - director Melvin Bernhardt ("The Blues Are Running"), playwright David Henry Hwang ("Golden Child", "M. Butterfly"), composer Mary Rodgers ("Once Upon A Mattress"), playwright Nicky Silver ("Fit To Be Tied"), director David Warren ("Fit To Be Tied"), and choreographer Marlies Yearby ("Rent") - discuss how directors collaborate with playwrights, how actors may influence how a role is written, the purpose of the Society of Stage Directors and Choreographers union and Dramatists' Guild, ...

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[ Thu, 13 Nov 2008 17:49:57 -0500 ]



Actors Words, Writers Voice - November, 2008

Daniel Jenkins, Lisa Kron and David Pittu - who have appeared both on stage and written works for the stage - talk about how they balance these dual roles; what they learn about being playwrights from their acting; where they get inspiration for their plays; how audiences help them enhance their performance as both actors and writers; whether or not it's more satisfying to act in a play they wrote; and their relationship with directors when they're performing the role of both playwright and acto...

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[ Wed, 05 Nov 2008 10:25:25 -0500 ]



Actors Words, Writers Voice - November, 2008

Daniel Jenkins, Lisa Kron and David Pittu - who have appeared both on stage and written works for the stage - talk about how they balance these dual roles; what they learn about being playwrights from their acting; where they get inspiration for their plays; how audiences help them enhance their performance as both actors and writers; whether or not it's more satisfying to act in a play they wrote; and their relationship with directors when they're performing the role of both playwright and acto...

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[ Wed, 05 Nov 2008 10:25:25 -0500 ]



Performance - April, 1990

Kate Burton ("Some Americans Abroad"), Tyne Daly ("Gypsy"), Tom Hulce ("A Few Good Men"), Robert Morse ("Tru"), Kathleen Turner ("Cat On A Hot Tin Roof"), and Irene Worth ("Sweet Bird Of Youth") talk about being a part of an ensemble cast, the difference between screen and stage, the stamina needed for stage performances, and how they got their start in performing....

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[ Wed, 29 Oct 2008 10:44:00 -0400 ]



Performance - April, 1990

Kate Burton ("Some Americans Abroad"), Tyne Daly ("Gypsy"), Tom Hulce ("A Few Good Men"), Robert Morse ("Tru"), Kathleen Turner ("Cat On A Hot Tin Roof"), and Irene Worth ("Sweet Bird Of Youth") talk about being a part of an ensemble cast, the difference between screen and stage, the stamina needed for stage performances, and how they got their start in performing....

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[ Wed, 29 Oct 2008 10:44:00 -0400 ]



Production: Fit To Be Tied - September, 1996

Playwrights Horizons' production team for "Fit To Be Tied" -- production manager Chris Boll, production stage manager Carol Clark, casting director Janet Foster, general manager Lynn Landis, managing director Leslie Marcus, Artistic Director of Playwrights Horizons Tim Sanford, playwright Nicky Silver and director David Warren -- talk about their individual jobs, their backgrounds, and the steps in bringing this play to the not-for-profit stage....

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[ Thu, 23 Oct 2008 15:59:55 -0400 ]



Production: Fit To Be Tied - September, 1996

Playwrights Horizons' production team for "Fit To Be Tied" -- production manager Chris Boll, production stage manager Carol Clark, casting director Janet Foster, general manager Lynn Landis, managing director Leslie Marcus, Artistic Director of Playwrights Horizons Tim Sanford, playwright Nicky Silver and director David Warren -- talk about their individual jobs, their backgrounds, and the steps in bringing this play to the not-for-profit stage....

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[ Thu, 23 Oct 2008 15:59:55 -0400 ]



Design - September, 1996

The panel of American Theatre Wing Design Award-winners -- Julie Archer, special effects designer for "Mabou Mines"; Christopher H. Barreca, scenic designer of "Chronicle of a Death Foretold"; Ruth Maleczech, actor/director/playwright/designer for "Mabou Mines"; Karen Ten Eyck, scenic designer of "An Epidog"; and Angela Wendt, "Rent" costume designer with "Rent" actor Aiko Nakasone -- talk about how they got started as designers, then demonstrate projections and a puppet from "An Epidog", a mod...

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[ Wed, 15 Oct 2008 14:44:33 -0400 ]



Design - September, 1996

The panel of American Theatre Wing Design Award-winners -- Julie Archer, special effects designer for "Mabou Mines"; Christopher H. Barreca, scenic designer of "Chronicle of a Death Foretold"; Ruth Maleczech, actor/director/playwright/designer for "Mabou Mines"; Karen Ten Eyck, scenic designer of "An Epidog"; and Angela Wendt, "Rent" costume designer with "Rent" actor Aiko Nakasone -- talk about how they got started as designers, then demonstrate projections and a puppet from "An Epidog", a mod...

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[ Wed, 15 Oct 2008 14:44:33 -0400 ]



Performance - April, 1997

The panel of actors -- Nell Carter ("Annie"), Willem Dafoe ("The Hairy Ape"), Andre De Shields ("Play On!"), Paul Giamatti ("Three Sisters"), Joel Grey ("Chicago"), and Dana Ivey ("Last Night of Ballyhoo") -- talk about their past and present productions, their performing background and training, and finding the rhythm of a play....

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[ Wed, 08 Oct 2008 12:27:24 -0400 ]



Performance - April, 1997

The panel of actors -- Nell Carter ("Annie"), Willem Dafoe ("The Hairy Ape"), Andre De Shields ("Play On!"), Paul Giamatti ("Three Sisters"), Joel Grey ("Chicago"), and Dana Ivey ("Last Night of Ballyhoo") -- talk about their past and present productions, their performing background and training, and finding the rhythm of a play....

MORE... | LISTEN | DOWNLOAD | MOBILE DEVICE

[ Wed, 08 Oct 2008 12:27:24 -0400 ]



Playwright, Director and Choreographer - April, 1997

The panel of directors Walter Bobbie ("Chicago"), director/choreographer Wayne Cilento ("Dream"), Scott Elliott ("Present Laughter"), Ron Lagomarsino ("Last Night at Ballyhoo"), Gene Saks ("Barrymore"), and playwright Alfred Uhry ("Last Night at Ballyhoo") talk about how they got started, developing their current productions, a show's relevance to contemporary audiences, determining the length of a play, and how directors maintain an ongoing show....

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[ Fri, 03 Oct 2008 09:37:59 -0400 ]



Playwright, Director and Choreographer - April, 1997

The panel of directors Walter Bobbie ("Chicago"), director/choreographer Wayne Cilento ("Dream"), Scott Elliott ("Present Laughter"), Ron Lagomarsino ("Last Night at Ballyhoo"), Gene Saks ("Barrymore"), and playwright Alfred Uhry ("Last Night at Ballyhoo") talk about how they got started, developing their current productions, a show's relevance to contemporary audiences, determining the length of a play, and how directors maintain an ongoing show....

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[ Fri, 03 Oct 2008 09:37:59 -0400 ]



Production: Stanley - April, 1997

The production team of "Stanley" -- press representative Bill Evans, producers Gregory Mosher and Edgar Rosenblum, and marketing representative Evan Shapiro -- discuss the process of bringing the play from the Royal National Theatre in London to Broadway, working with director John Caird, extensive press coverage, and target marketing including a new $10 ticket program aimed at young people....

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[ Wed, 24 Sep 2008 18:14:42 -0400 ]



Production: Stanley - April, 1997

The production team of "Stanley" -- press representative Bill Evans, producers Gregory Mosher and Edgar Rosenblum, and marketing representative Evan Shapiro -- discuss the process of bringing the play from the Royal National Theatre in London to Broadway, working with director John Caird, extensive press coverage, and target marketing including a new $10 ticket program aimed at young people....

MORE... | LISTEN | DOWNLOAD | MOBILE DEVICE

[ Wed, 24 Sep 2008 18:14:42 -0400 ]



Unions and Guilds - April, 1997

The panelists -- Julianne Boyd (Society of Stage Directors and Choreographers); Dean Brown and Muriel Stockdale (United Scenic Artisis); Shirley Herz and Bernice Weiler (Assoc. of Theatrical Press Agents and Managers); Conard Fowkes (Actors' Equity Association); and Barry Moss (Casting Society of America) -- talk about how and why their organizations were formed, the importance of unions, the specific roles of company managers and general managers, and production costs and ticket prices....

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[ Wed, 17 Sep 2008 12:03:59 -0400 ]



Unions and Guilds - April, 1997

The panelists -- Julianne Boyd (Society of Stage Directors and Choreographers); Dean Brown and Muriel Stockdale (United Scenic Artisis); Shirley Herz and Bernice Weiler (Assoc. of Theatrical Press Agents and Managers); Conard Fowkes (Actors' Equity Association); and Barry Moss (Casting Society of America) -- talk about how and why their organizations were formed, the importance of unions, the specific roles of company managers and general managers, and production costs and ticket prices....

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[ Wed, 17 Sep 2008 12:03:59 -0400 ]



Producing - April, 1990

The panel -- "A Few Good Men"'s director Don Scardino and playwright Aaron Sorkin, director George C. Wolfe ("Spunk") and director Luke Yankee ("The Cherry Orchard") -- discusses their current productions and how each show was conceived. The creative team of "Once On This Island" -- book writer/lyricist Lynn Ahrens, director/choreographer Graciela Daniele, and composer Stephen Flaherty -- talk about adapting the musical from a novel, and the show's development at Playwrights Horizons....

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[ Fri, 12 Sep 2008 16:59:34 -0400 ]



Producing - April, 1990

The panel -- "A Few Good Men"'s director Don Scardino and playwright Aaron Sorkin, director George C. Wolfe ("Spunk") and director Luke Yankee ("The Cherry Orchard") -- discusses their current productions and how each show was conceived. The creative team of "Once On This Island" -- book writer/lyricist Lynn Ahrens, director/choreographer Graciela Daniele, and composer Stephen Flaherty -- talk about adapting the musical from a novel, and the show's development at Playwrights Horizons....

MORE... | LISTEN | DOWNLOAD | MOBILE DEVICE

[ Fri, 12 Sep 2008 16:59:34 -0400 ]



Production: Gypsy and Cat On A Hot Tin Roof - April, 1990

The production team of "Gypsy" and "Cat On A Hot Tin Roof" - publicist Shirley Herz, casting director Stuart Howard, playwright/director Arthur Laurents, general manager/associate producer Alecia Parker, and producers Barry Weissler and Fran Weissler - talk about many aspects of production from casting to advertising to corporate investors, booking pre-Broadway tour stops, and their other productions of "Fiddler on the Roof", "La Cage aux Folles", and "My One and Only"....

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[ Thu, 04 Sep 2008 16:31:51 -0400 ]



Production: Gypsy and Cat On A Hot Tin Roof - April, 1990

The production team of "Gypsy" and "Cat On A Hot Tin Roof" - publicist Shirley Herz, casting director Stuart Howard, playwright/director Arthur Laurents, general manager/associate producer Alecia Parker, and producers Barry Weissler and Fran Weissler - talk about many aspects of production from casting to advertising to corporate investors, booking pre-Broadway tour stops, and their other productions of "Fiddler on the Roof", "La Cage aux Folles", and "My One and Only"....

MORE... | LISTEN | DOWNLOAD | MOBILE DEVICE

[ Thu, 04 Sep 2008 16:31:51 -0400 ]



Performance - September, 1990

Stage actors Mike Hodge ("A Few Good Men"), Robin Morse ("Six Degrees of Separation"), Ron Perlman ("A Few Good Men"), Faith Prince ("Falsettoland"), Margaret Tyzack ("Lettice and Lovage"), and James Whitmore ("About Time" and "Handy Dandy") talk about their education and when they began performing, the effect of cast size, audience response, and positive feedback....

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[ Thu, 28 Aug 2008 15:15:05 -0500 ]



Performance - September, 1990

Stage actors Mike Hodge ("A Few Good Men"), Robin Morse ("Six Degrees of Separation"), Ron Perlman ("A Few Good Men"), Faith Prince ("Falsettoland"), Margaret Tyzack ("Lettice and Lovage"), and James Whitmore ("About Time" and "Handy Dandy") talk about their education and when they began performing, the effect of cast size, audience response, and positive feedback....

MORE... | LISTEN | DOWNLOAD | MOBILE DEVICE

[ Thu, 28 Aug 2008 15:15:05 -0500 ]



Playwright, Director and Choreographer - September, 1990

The panel of playwrights Vernel Bagneris ("Further Mo'") and Tom Cole ("About Time"), lyricist John Driver ("Shogun"), director Tony Giordano ("About Time & Handy Dandy"), lyricist Sheldon Harnick ("The Rothschilds"), Executive Director of the Dramatists Guild David LeVine, and director Lonny Price ("The Rothschilds") discuss how they got started in their careers, writing for the stage, and the role of the Dramatists Guild....

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[ Thu, 21 Aug 2008 11:56:39 -0400 ]



Playwright, Director and Choreographer - September, 1990

The panel of playwrights Vernel Bagneris ("Further Mo'") and Tom Cole ("About Time"), lyricist John Driver ("Shogun"), director Tony Giordano ("About Time & Handy Dandy"), lyricist Sheldon Harnick ("The Rothschilds"), Executive Director of the Dramatists Guild David LeVine, and director Lonny Price ("The Rothschilds") discuss how they got started in their careers, writing for the stage, and the role of the Dramatists Guild....

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[ Thu, 21 Aug 2008 11:56:39 -0400 ]







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